Tag Archive for 'Mai–Otome'

Mai-Otome: Death & Rebirth

I can’t really offer any “deep” thoughts about Mai-Otome - not yet, at least. The show is such a Frankenstein of a monster that, no matter how deep I dig, I’ll never manage to get to the core of anything. I’m happy with the ending, I think, and my overall opinion of the show is positive. I definitely enjoyed it. The thing is, I think I enjoyed it just as much - if not more - on a meta “what is Sunrise up to?” level as I did for the content itself.

I will say that the mechanics of the ending were kind of clunky, as if the writers had just about run out of gas. Actually, given the “one step forward, two steps back” nature of the second half of the series, I wonder if they weren’t running on fumes for quite some time. Arika’s final words to Nina in space are evidence of this, I think, seeing as they were just a rehash of the lyrics to the ED theme. Believe in your dreams and keep moving forward? Saio sen jiko yo? Was that the point of the entire show? It’s not a horrible message, that’s for sure, but it’s far from original. And the fact that it essentially resolved the entire story proves more corny than heart-warming.

But, I’ve seen a lot of anime over the years, so I’ve seen my fair share of good writing, mediocre writing, and just plain bad writing. I’ve seen every “trick” in the book, so to speak. It’s gotten to the point where cliché no longer annoys me as much as it amuses me - and, obviously, I’d rather be amused than annoyed - so, just as I found the cliché-ridden Mai-HiME ending acceptable, so do I find the Mai-Otome ending worthy. In fact, the legacy of its predecessor may make Mai-Otome even more tolerable, seeing as, deep down, I expected a goofy, happy ending. “Fool me once, shame on… shame on you. Fool me… you can’t get fooled again,” as His Majesty would say.

I do hope, however, that this will be the end of the Mai franchise. As much as I enjoyed both shows, I say so with a heavy heart, but I don’t think you can reinvent these characters a third time and expect it to work. Hell, it barely worked the second time around. If the coming Mai-Otome OAVs reflect the tone of the first half of the series, that’s great. If Sunrise plans to use the OAVs to resolve the ending, on the other hand, they’ll probably be pushing their luck. Others will no doubt feel differently, but I’d rather they go ahead and lay the whole thing to rest in its current form.

So, what about the ending itself? A few thoughts…

I’ll be honest: I couldn’t stop laughing. I think the only scene that had me pursing my lips was the one in which Arika prepares to toast her mother, and even then, I started busting out again when this popped up. Yoshino Hiroyuki is such a goof.

Despite the promise of hot Otome action (no, not THAT kind), there were probably only three good fights in the entire series. And, as a friend points out, one involved the tentacle monster! Unfortunately, the last episode didn’t offer much, either: “OK, WE’RE GONNA FIGHT NOW! Whoops, something happened. OK, NOW WE FIGHT! Dammit, you stole my kill! EAT THIS! Whoops, there goes my Robe. LET’S GET READY TO RUMBLE! Aw fudge, someone just blew up the world.”

Akane and Kazu never got it on? The way they went rushing out of the shrine in Episode 13, you’d think they’d have done it in the bushes on the way to the car. Twice.

Nagi made a great villain. Dude’s really not evil… just a clueless narcissist. At the end, I half expected him to strike a pouty face and go “I’M SO VEWY SOWRY… it was Sergey’s idea!”

It’s funny how the Otome all have these skimpy Robes, yet, by virtue of being Otome, they’re all… well, you know.

“I’ll never forget this, Yumemiya Arika! And your little Queen, too!” … *SPLAT* … “Just kidding!”

I still don’t understand the deal with all the cats.

For a minute there, I thought Miyu was going to bukkake the moon.

Sucks to be Erstin.

Nina gets a bad haircut and gets to spend the rest of her days watching over a brain damaged Sergey? BAD END.

Actually, I guess it could have been much, much worse…


“It was all a dream? That’s the last time I eat Mai’s five-alarm curry ramen before bedtime.”

Bravo, Sunrise!

Hear that? That’s the sound of a million fanboys crying in agony.

That’s enough for me!

New, From Parker Brothers…

Jason offers his thoughts on sequels (and expectations thereof), taking special aim at Mai-Otome (and failure thereof). For the most part, I agree with his analysis, and since I can’t pass up an opportunity to pick apart the show…

The first thing about Mai-Otome that hooked me was the complexity of the story. Mai-HiME, all things considered, was pretty simple: a bunch of girls fighting to the finish for the sake of the ones they love. It made for some gripping character drama, what with all the torn allegiances, death and destruction, and dirty, manipulative tricks. Mai-Otome, on the other hand, added more “big picture” elements: politics, social distinction, history - all part of a fantastical world where nanomachines give people superpowers, giant sandworms lie in wait for unsuspecting princesses wandering the desert alone, and guys with names like Sergey Wong get all the girls.

I thought this was all peachy keen at first. A complex story? A spectacular setting? More girls?

Sign me up!

Unfortunately, this very complexity has become Mai-Otome’s downfall. Mai-HiME worked because, to the very end, it remained focused on the characters: their strengths, their weaknesses, their relationships, their lives… their deaths. Mai-Otome, however, wants it both ways. The show longs to replicate Mai-HiME’s character drama (see: Erstin, death of), yet that drama is constantly overshadowed by the complex world those very characters inhabit. After countless episodes of Arika and gang acting like schoolgirls, should we really care about Artai and its tiff with everyone else? Garderobe’s scandalous history? Aswald’s sob story? Hell, I can’t even remember the names of all the various factions, much less their motivations.

I do, however, care about the characters… characters who have been relegated to the status of mere roman numerals in Yoshino Hiroyuki’s animated game of RISK (Now With More Maids!).

So, with only a few episodes remaining, what’s to become of our abused and underused cast? Well, they’ll band together to save the day, no doubt… but how? At the moment, they’re about as helpless as Ataru lost on the grounds of Lillian School for Girls. For now, only one person seems to hold any sway and power over the future of the world… Nagi.

Nagi?

How fucked up is that?

Mai-Otome 17 ~ Onward Ho! ~

I avoided watching Mai-Otome 17 for a few days… couldn’t work up the nerve, I suppose. I finally got around to it last night, though. Honestly, I don’t think my general opinion of the show has changed much. However, the fact that it’s now embracing its trainwreck nature is clearly a positive. That is, it looks like the show is finished beating around the bush. It’s all terribly silly, but I got a lot of perverse enjoyment out of it nonetheless.

A few thoughts…

I dug the twist regarding a certain character’s betrayal, but I’m curious as to why the scriptwriter showed his hand so early in the episode. It would have been a far more shocking development had he not started hinting at it from the first few minutes. The “gotcha” moment in the sewer was a nice touch, though.

I thought the death scenes in Mai-HiME were over the top, but geez. A montage? A freakin’ montage? The only thing missing was the gospel choir and a stirring eulogy from Major Wong.

Also, I don’t quite understand why Nina gets so angry at the end of the episode. I can understand her being a bit unhappy with how things have played out, but, spoiled little brat or not, that’s no license to go on a killing spree.

Finally, it’s nice to see Natsuki’s as useless as ever. Some things never change.

Even More Wonderful!

You didn’t think I’d pass up a chance to play with the new Mai-Otome OP, did you? Make space, guys, because I’m jumping on the bandwagon.

I could do this all day, you know.

Oh, What a Tangled Web…

DO YOUR BEST, ERS-CHAN!

In the beginning, I truly enjoyed Mai-Otome. Compared to its predecessor, I felt the show got off to an excellent start, eschewing a half-season’s worth of filler for red meat story and honest to goodness character development. But now? Eh…

I’m worried the writers may be trying too hard to top Mai-HiME. They’ve clearly stuck to the same, “All is not what it seems,” script, but it feels as if an extra layer of obsfucation has been added. There were moments in which Mai-HiME was difficult to follow, but never did I find myself as confused about alliances, motivations, and the “purpose” of story events as I am with regard to Mai-Otome. And, with so many characters and factions to keep up with in the first place, I worry I’m fighting a losing battle.

The inherent problem with Mai-Otome, I think, is that it’s not particularly well-focused. That is, the primary focus of each episode - Arika, her classmates, and life within Garderobe - have little connection to the greater plot unfolding in the background. Occasionally, we’re treated to a snippet of revelation - a cryptic comment from Nagi here, a battle with some baddies there - but, for the most part, the show is squarely focused on things far more trivial. Next thing you know, Mashiro’s castle is a giant weapon of mass destruction, and a swarm of mechanical hornets are attacking. Huh?

Granted, Mai-HiME pulled some similar stunts, but it took care to provide enough information that, once the shit hit the fan, the viewer wasn’t left scratching his head in complete confusion. As unfortunate a chapter in the story the “Alyssa blows up the world,” arc was, it provided a nice transition from light to dark, fluffy to serious, trivial to significant. Mai-Otome, on the other hand, has failed to make that transition. We’ve even been denied our “Akane Moment” - excepting, of course, Akane running off with Kazuya to lay waste to some nanomachines (and a lovely moment I’m sure it was). No, sixteen episodes in, and we’ve gone straight from final exams to the brink of war.

It’s possible I’m being too hard on the show, I’ll admit. The wonderful start might have inflated my expectations. Still, Mai-Otome is rapidly headed into trainwreck territory - and not the sort of trainwreck that’s a joy to watch.

Oh, and Tomoe? Schedule some time with your therapist, honey.