I don’t want to spoil the latest episode of Kanon for anyone, so I’m going to be intentionally vague here…

I thought the way the episode’s final scene was constructed was nothing short of amazing, given how it deals with multiple time frames. Think about it: the scene seamlessly moves from Yuuichi and Nayuki in class, to Yuuichi’s childhood flashback, to Yuuichi and Nayuki being called out of class, to, well… you know. You might say, “Well, that’s nothing special, really,” but I thought it was remarkably well done and designed in such a way to give the scene as much impact as possible. I mean, as if the flashback sequence itself wasn’t heartbreaking enough…

But, at the same time, the scene’s climax bugs me. Or, to be more specific, the moments leading to the scene’s climax. It’s as if the Director gave us entirely too much opportunity to mull over what was about to transpire by loitering on that distant shot for such an artificially long time. But, I already knew what was coming, and I suspect the same could be said for a lot of people watching the show. So, perhaps it was all for the sake of keeping the Kanon veterans on the edge of their seats.

For those of you new to Kanon, however… what did you think? Were you genuinely surprised? Did the pacing of the scene seem awkward in any way? Or were you too shocked to care?

I’ve been known to say, “I don’t care much for Mai’s story.” Repeatedly. The fact that Mai is so popular among Kanon fans has always baffled me, to be honest.

Until now, that is.

After watching the conclusion of Mai’s arc in the most recent episode of Kanon, it suddenly dawned on me: I do like Mai’s story. I think it’s incredibly moving. I love the way it’s structured. I won’t say the journey isn’t frustrating at times, what with her story not coming into focus until the very final moment, but… well, it’s a nifty trick. When the entire weight of Mai’s story comes crashing down on you in a matter of minutes, you can’t help but be moved.

So, what gives? It’s not like Kyoto Animation made changes to Mai’s story. They followed the game fairly closely. And even though the Toei version of Kanon kicked a lot of the details of Mai’s story to the curb, all of the core elements survived intact. Is Ishihara Tatsuya just that good of a director? I suppose he is, and it clearly shows in the conclusion of Mai’s arc, but that’s really not it. Once again, what gives?

I don’t like Mai, that’s what.

Mai’s a tough nut to crack, that’s for sure. How can a parade of moe stereotypes like Kanon have an ice queen character like Mai? Yes, I know “ice queen” no doubt pegs someone’s moe meter somewhere (what doesn’t?), but if you lined all of the Kanon heroines up and played a game of, “one of these kids is not like the other ones,” the game wouldn’t be much of a challenge. Ain’t nothing moe about Mai.

Or is there?

Well, before someone shouts, “Are you some kind of fucking idiot? Of course Mai is moe!”, let me say this: yes, she is. It’s just that I didn’t quite realize it until now. Was Mai moe in the game? Sure. But to what extent? It was there, of course, but Mai’s moeness is so subtle that it doesn’t come across particularly well - especially when every other girl in Kanon is “moe-ing” with the brightness of a thousand suns. And the first anime series? As I said before, a lot of the details of Mai’s story were lost in the first anime series, and amongst those details was her personality. Or, to be more specific, the moe aspects of her personality.

Thankfully, Kyoto Animation brought the moe back… and proceeded to jam it down our throats. To be honest, I was a bit weirded out at first. “Is this really Mai? What’s going on?” But, as time went on, I grew to like the “new” Mai. And even though Mai’s arc was the one I was least looking forward to this time around, I’m now sad to see it come to end.

Once again… bravo, KyoAni?