Tag Archive for 'Hidamari Sketch'

The Other Side

In the middle of a root canal yesterday, a thought occurred to me: I’m just as guilty as anyone else in describing shows like Aria, Maria-sama ga Miteru and Hidamari Sketch as having “limited appeal”, and yet, these shows keep getting multiple seasons. Meanwhile, a lot of seemingly popular shows get one season and nothing more.

I’d be curious to know what the story is behind this. Is it because these sorts of show often cater to a core group of dedicated fans, whereas most everything else is left to fight over a bunch of fans who couldn’t care less what they’re watching from one season to the next? Perhaps there are lucrative merchandising tie-ins at work? I know the Aria manga has long been a hot seller in Japan. Same with the Marimite novels. No idea about Hidamari Sketch.

Of course, these titles most likely appeal to mainstream, non-otaku audiences with a lot of yen to spend. Perhaps it just highlights how difficult it is to gauge what’s truly popular in the world of anime and manga from the inside looking out. It’s easy to get so wrapped up in the trivialities of the subculture that you forget there are millions of “normal” people out there who dig this stuff, too.

As for why this all came to mind while a guy shoved metal files up my tooth, all I can say is that I had to keep myself entertained somehow.

Year in Review: Hidamari Sketch

6. Hidamari Sketch

What is Hidamari Sketch?

It’s yet another adaptation of a 4-koma comic strip, of course. And it’s another one of those Shinbo shows. And it goes without saying that it’s slice-of-life. But, as accurate as these descriptions may be, I don’t think they say much more about the show than what’s already obvious. What is the essence of Hidamari Sketch?

Whether or not Hidamari Sketch is “iyashikei”, or “healing” anime is a matter of personal opinion, I think. It shares a lot of characteristics with your typical iyashikei series, but the Shinbo quirkiness gives the show an edge that’s missing from, say, Aria or Kokoro Library. And it’s because of that edge that I think the show is difficult to define. Is it relaxing slice-of-life? Offbeat comedy? An instructional video for Japan’s “my pace” movement?

It’s all of these things and then some, I suppose. But, for me, the essence of Hidamari Sketch is summed up perfectly in this image. Looks inviting, doesn’t it? For all intents and purposes, each and every episode of Hidamari Sketch is representative of the feeling I get when I look at that image. And, in a year in which my caffeine intake has increased tenfold and my blood pressure has likely followed suit, it’s a feeling I’ve come to appreciate. I need to make like Yuno and find a blanket already. And a Hiro to share it with.

Of course, I’m not an island unto myself. Hidamari Sketch is more about sharing that feeling with others than it is keeping it to yourself. The many scenes in which Yuno and friends sat around a table working on a project or telling stories reminded me an awful lot of similar good times from my college days. My friends and roommates back then were just as much a part of my family as anyone who shared my last name. They still are. Of course, now that we’re separated by time and distance, there’s no more sitting around the table except on special occasions.

I kind of envy those of you who have the good fortune to be exposed to shows like Hidamari Sketch while still (relatively) young. I often wonder if my outlook toward life would be different today had I had such an opportunity. Would I be better off for it? Is the inclination to even consider such questions something that only comes with age? Would I have simply found Hidamari Sketch boring as hell ten years ago?

I hope not, but I also know myself well enough to know that I probably would have. Everything in due time. And, as for the question at hand?

Hidamari Sketch is bittersweet, that’s what.

Keep the Dream Alive

Damn straight.

Show ‘em what you’re made of, Yunocchi!

UPDATE: Well, it was close, at least, with Yuno netting 47% of the vote. Not enough for a win, but a good showing nonetheless, going up against one of the contest’s favorites and all. Yuno fans fought the good fight to the very end.

Yoshinoya Knows Alchemy

That can’t be legal.

One of the funny things about Atelier Iris 3: Grand Phantasm is that the main heroine is voiced by Matsuki Miyu. So, every time she opens her mouth, I hear Yoshinoya-sensei. It’s especially funny when she starts screaming out attack names.

Oh, and obviously, I followed through on my previous threat. They didn’t have any copies of Odin Sphere in stock, unfortunately, so I opted to start with something a little more traditional. I can get a lot of hours out of a good dungeon crawler.

Mebae Drive

The Hidamari Sketch ED has a spectacular hook. I’m in love.