Tag Archive for 'ef - a tale of memories'

If at First You Don’t Succeed…

Being a year behind the curve and all, I’m not sure there’s much I can say about ef - a tale of memories that hasn’t already been said. But I’ll say it anyway.

Previously, I described the series as “fascinating, but absolutely boring”. I got part of it right, at least. The show is indeed fascinating, both from a presentation and material standpoint. I don’t think there’s any denying that. For some, it might have been a little too fascinating - the SHAFT style doesn’t tickle everyone’s fancy, obviously - but, it was something special and unique nonetheless. For that alone, it commands attention.

Was the show really all that boring, though? No, not really. Or, to take a more nuanced approach, I found it boring before I found it not boring. I voted against it before I voted for it. In other words, on my first attempt at watching the series when it first aired a year ago, I was indeed bored with. Upon my second attempt a year later, I was enthralled. What happened?

The simple answer, I think, is that, whereas I was stuck following the show on a weekly basis like most everyone else the first time around, I marathoned it over the course of only a few days the second. There’s an ebb and flow in the pace of the show that wasn’t particularly evident when I was watching it in half hour chunks once a week; this ebb and flow is painfully obvious, however, when the entirety of the show is watched in short order. A series of climaxes, breakdowns, and hairpin turns, it was a hell of a ride once I surrendered myself to the show’s pace. I’ve always felt that not all anime is meant to be watched in the same fashion, and my experience with ef - a tale of memories clearly supports that philosophy.

Mea culpa aside, what of the show’s content? All in all, the story (or stories, I suppose) isn’t all that original as far as visual novel adaptations go. There are some unique elements - Chihiro’s illness, for example - and those elements are treated more thoughtfully and carefully than one would expect, but as far as the core story goes, it’s been done before. The direction and production made all the difference in the world, however. It took what was, in many ways, a generic story and turned it into something remarkably compelling. The love triangle storyline, for example, was essentially every love triangle storyline I’ve seen before (I kept having flashbacks to Kiminozo at the most inopportune moments). And Chihiro’s storyline was little more than the typical “girl with a mystery” tragedy that are a dime a dozen in the medium.

Yet, the anime adaptation was remarkable. I’d be curious to know how the original game was received, given that it didn’t benefit from the same treatment as the anime series. It’s worth noting how anime fans often pan adaptations that stray too far from their original material. And with good reason. For example, much of the strength of the recent Key visual novel adaptations lies in Kyoto Animation’s reliance on and militant devotion to the original storylines and narratives. And the anime adaptations of popular manga series that most often get high marks are those that stick to the predetermined gameplan. Not all anime is cut from the same cloth, however, and there are indeed instances in which “different” is good. Sometimes, it’s just a matter of a different approach casting something in a pleasing light. Sometimes, it’s a matter of casting something in a better and more positive light. Sometimes, it’s a matter of saving something from itself.

I think ef - a tale of memories is the perfect example of each and every one of those outcomes. It could have been nothing special. Should of been. But, it wasn’t. Chalk one up for anime, eh?

Ever since giving up on the series way back when, I wrestled with the question of whether or not I gave it a raw deal. I always try to give any anime series that catches my eye a fair shake, and when something I’ve dropped turns out to impress people I know to have a similar eye for anime as I do, as was the case with ef - a tale of memories, I can’t help but try again. And with the second season of the series looming, the timing couldn’t have been any better. Of course, I now face a rather curious predicament: do I dive into the second season a month from now and risk tripping to a “fascinating, but absolutely boring” conclusion once again, or do I have patience and set aside a weekend in the future in which to down the series in one fell swoop?

Tough call. It’s a mighty fine predicament to be in, though.

Land of Confusion

All in all, ef - a tale of memories is a fascinating show.

And it bores me to tears.

I’m exaggerating, yes, but I have to admit that, after four episodes, I don’t find the show the slightest bit engaging. While watching, I feel completely detached from what’s going on, a little voice in the back of my head whispering, “you could be watching something else right now, you know.”

Still, Shaft gave it the ol’ college try, for which I have to give them credit. And, for that matter, the show’s shortcomings are probably more a weakness of the original material than the result of Shaft’s direction. The writing is convoluted in the way a lot of bishoujo games (and anime series, for that matter) are when focused more on being groundbreaking than on weaving a good tale. Some people go for that sort of thing, but I’ve never much cared for it. I always feel like I’m being played for a fool.

I guess you could say the show is more flash than substance. I don’t think the production necessarily distracts from the story; in fact, it’s probably the one thing I really like about the show. A convoluted story in a generic package wouldn’t be any better than a convoluted story in a unique package. It’s a convoluted story, either way. However, my feeling that the production doesn’t distract from the story cuts both ways: it’s neither harmful nor helpful.

Of course, it’s not often we see this Shinbo style of surrealism paired with an actual story. And, yes, I know Shinbo isn’t directing this time around, but he’s involved in the production nonetheless, and it’s plainly obvious Director Oonuma Shin is aping his style. But if you look at shows directed by Shinbo in recent years - those directed in his now signature style - you’ll notice that they’re light on story and heavy on gags and vignettes. It’s appropriate material for that sort of direction, in my opinion.

But what about ef - a tale of memories? Well, it’s pretty clear that the story is steeped in surrealism all its own, so logic would dictate that Shinbo’s style of direction is a good fit. And I think I’d agree. So, I can’t to do the obvious and criticize the direction for being too weird for its own good. I can, however, criticize the story for being too weird for its own good.

And a little too dull for me, unfortunately.