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Full Circle

When watched in proper order, the Melancholy of Suzumiya Haruhi plays out like a short OAV series followed by a bunch of omake episodes. Suddenly, the jumbled broadcast makes sense.

Not to say, of course, that the show isn’t satisfying when the episodes are viewed in chronological order. It definitely held my attention better. However, I was surprised by how little “happens” in the show; it’s so much more evident when the primary story arc is stuck up front. Beyond that, it’s little more than a slice of life show, and as a whole, it’s clearly a brief introduction to something bigger, deeper and more complex. At this point, I’m just as anxious for a second season as anyone else.

The Melancholy of Suzumiya Haruhi is one of a handful of shows I’ve watched in short bursts lately. I’ve already made note of Clannad and ef - a tale of memories, of course, but I’ve also rewatched Kimikiss - Pure Rouge in recent weeks. It was just as good the second time around, if not better. I also finished it off in a single weekend, which was a bit unexpected given the show’s age and length. Then again, I guess it was the same story with Clannad.

I’m gradually coming to the realization that this is the way in which I prefer to watch anime: one show at a time, all at once. Since early this year, I seem to have lost all ability to keep up with new series on a weekly basis, save the odd favorite here and there. And, even then, it’s tough. On the surface, I chalk it up to being busy; I spend far more time thinking about work (and matters of similar weight) when at home than ever before, and I’ve been making an honest attempt to add some flavor and variety to my plate of hobbies and interests. Suddenly, I’m not so much in the mood to keep up with shows like Itazura na Kiss and Nogizaka Haruka no Himitsu week after week. But catching up with them in single evening when the mood strikes? That’s simple enough. And a lot more fun.

Which is how it’s supposed to be, of course. I’ve long been one of those weirdos who doesn’t watch television. I haven’t had cable or satellite service in ages. I don’t even own a pair of rabbit ears. Outside of anime, I have little experience “keeping up” with television shows - or any other form of entertainment, for that matter. It must be in my nature to be overly protective of my free time. You won’t find me on IRC all that often, I don’t do instant messaging, and I don’t have text or e-mail service on my cell phone. I don’t do much recreational web browsing. I don’t read many blogs.

Considering my age, interests, and comfort with technology, you’d be surprised how disconnected I am from it all. And the distance only increases with age. I figure I’m only five years away from spending my weekends in a forest alone, penning haiku on old napkins…

The morning calm
as the sun slowly rises
Smells like mustard

I’m exaggerating, of course, but the message is clear: I’m not really all that suited to keeping up with much of anything day after day, week after week. Unless it’s of particular importance, that is (I’ve only taken five days of vacation in the past year, after all). So, my falling off the weekly anime watching and regular blogging wagon in recent months was to be expected. I expected as much, at least.

But, you know, there are a lot of passionate anime fans outside of Japan who don’t do the weekly anime watching song and dance. Prior to the age of digisubs and raws on demand, it was normal to watch what was available when time allowed and the mood struck. If you think about it, this whole, “oh noes, my backlog is out of control because I can’t keep up with all thirty-six shows that are airing this season,” nonsense is very much a new paradigm of anime consumption. It’s something a lot of anime fans fret about. It’s something I used to fret about.

To hell with all that.

Site Maintenance

You might have noticed some performance issues around here this past week. Unfortunately, I never managed to isolate the problem.

This morning, I got tired of scratching my head and settled on the scorched earth option. I backed up the database, wiped the directory, did a new Wordpress install, imported all of my existing content into a new database (on a new server), and started rebuilding the site. I’m still in the process of putting everything back together again, so if something looks funky or doesn’t work correctly, bear with me.

Thankfully, the site no longer takes a half minute to load.

If at First You Don’t Succeed…

Being a year behind the curve and all, I’m not sure there’s much I can say about ef - a tale of memories that hasn’t already been said. But I’ll say it anyway.

Previously, I described the series as “fascinating, but absolutely boring”. I got part of it right, at least. The show is indeed fascinating, both from a presentation and material standpoint. I don’t think there’s any denying that. For some, it might have been a little too fascinating - the SHAFT style doesn’t tickle everyone’s fancy, obviously - but, it was something special and unique nonetheless. For that alone, it commands attention.

Was the show really all that boring, though? No, not really. Or, to take a more nuanced approach, I found it boring before I found it not boring. I voted against it before I voted for it. In other words, on my first attempt at watching the series when it first aired a year ago, I was indeed bored with. Upon my second attempt a year later, I was enthralled. What happened?

The simple answer, I think, is that, whereas I was stuck following the show on a weekly basis like most everyone else the first time around, I marathoned it over the course of only a few days the second. There’s an ebb and flow in the pace of the show that wasn’t particularly evident when I was watching it in half hour chunks once a week; this ebb and flow is painfully obvious, however, when the entirety of the show is watched in short order. A series of climaxes, breakdowns, and hairpin turns, it was a hell of a ride once I surrendered myself to the show’s pace. I’ve always felt that not all anime is meant to be watched in the same fashion, and my experience with ef - a tale of memories clearly supports that philosophy.

Mea culpa aside, what of the show’s content? All in all, the story (or stories, I suppose) isn’t all that original as far as visual novel adaptations go. There are some unique elements - Chihiro’s illness, for example - and those elements are treated more thoughtfully and carefully than one would expect, but as far as the core story goes, it’s been done before. The direction and production made all the difference in the world, however. It took what was, in many ways, a generic story and turned it into something remarkably compelling. The love triangle storyline, for example, was essentially every love triangle storyline I’ve seen before (I kept having flashbacks to Kiminozo at the most inopportune moments). And Chihiro’s storyline was little more than the typical “girl with a mystery” tragedy that are a dime a dozen in the medium.

Yet, the anime adaptation was remarkable. I’d be curious to know how the original game was received, given that it didn’t benefit from the same treatment as the anime series. It’s worth noting how anime fans often pan adaptations that stray too far from their original material. And with good reason. For example, much of the strength of the recent Key visual novel adaptations lies in Kyoto Animation’s reliance on and militant devotion to the original storylines and narratives. And the anime adaptations of popular manga series that most often get high marks are those that stick to the predetermined gameplan. Not all anime is cut from the same cloth, however, and there are indeed instances in which “different” is good. Sometimes, it’s just a matter of a different approach casting something in a pleasing light. Sometimes, it’s a matter of casting something in a better and more positive light. Sometimes, it’s a matter of saving something from itself.

I think ef - a tale of memories is the perfect example of each and every one of those outcomes. It could have been nothing special. Should of been. But, it wasn’t. Chalk one up for anime, eh?

Ever since giving up on the series way back when, I wrestled with the question of whether or not I gave it a raw deal. I always try to give any anime series that catches my eye a fair shake, and when something I’ve dropped turns out to impress people I know to have a similar eye for anime as I do, as was the case with ef - a tale of memories, I can’t help but try again. And with the second season of the series looming, the timing couldn’t have been any better. Of course, I now face a rather curious predicament: do I dive into the second season a month from now and risk tripping to a “fascinating, but absolutely boring” conclusion once again, or do I have patience and set aside a weekend in the future in which to down the series in one fell swoop?

Tough call. It’s a mighty fine predicament to be in, though.

See You Again Soon

Finishing Simoun for only a second time, I’m struck by how much more impact the ending has on me compared to my first viewing. Its ambiguous nature persists, but it’s nowhere near as vexing now that I’ve had ample opportunity to reflect on the story’s many interconnecting themes and the manner in which they were embodied in its characters. I feel silly for being so fond of the show despite my previous lack of understanding.

My mood upon finishing the show is far from ambiguous, however. I’m feeling blue. It’s actually a familiar feeling that arises every time I finish a show graced with an impressive ensemble cast. Nostalgia with a dash of loneliness, or something like that. It’s the feeling of graduations and farewell parties. Happy occasions or sad occasions, the end of an era is still the end of an era. I suppose this is the mark of any good anime series - or any good story, for that matter - but I truly think it’s the bidding farewell to such a group of beloved characters that makes it all the more bittersweet.

When contemplating on why I’m drawn to anime as I am, I come to the same basic conclusion time and time again: it’s the characterization, stupid. Characterization is something anime does exceptionally well. There are variations in quality, of course; the flat and simple characterization of a harem series has little in common with the detailed and elaborate characterization of a drama series. But an emphasis on characters over plot is something typical of anime. It wasn’t until I start watching anime that I even gave notice to the concept of “character study”.

Simoun is exactly that. A character study. Yes, there’s a fancy story to sweeten the pot - and I don’t mean to diminish the story, for the writing is every bit as impressive as you’ve heard - but it’s truly the priestesses of Chor Tempest who carry the show from first episode to last. That’s why the parting is such sweet sorrow.

It’s also why I’m already plotting my next viewing.

Good Morning

When I first started my vacation, I didn’t have any clear idea when I’d be coming back. So, I proposed two conditions: I’d start blogging again once either the post announcing my vacation slipped off the front page or I drafted a sincere “screw it, I’m outta here,” post, whichever came first. Well, if you scroll down, you’ll see that that the post announcing my vacation is hanging from the edge of a cliff. And I recently drafted that “screw it, I’m outta here,” post. So, I guess I don’t have much choice but to get back to work, now do I?

First, though, a few notes on what I’ve been up to this past month…

I’ve recently started catching up on all of the currently airing shows I’ve claimed to be following, but haven’t. Macross Frontier has matured into a fine show, evidenced by my devouring two months worth of episodes in a single evening this past week. Itazura na Kiss continues to meet expectations, as does Nogizaka Haruka no Himitsu. Not so much the case for Mahou Tsukai ni Taisetsu na Koto: Natsu no Sora, which has been a bit of a disappointment. Telepathy Shoujo Ran and Natsume Yuujin-Chou are on my list; I never got far enough in to feel like I’ve fallen behind, so there’s no reason to rush. No comment on the third season of Zero no Tsukaima. Seriously. Don’t ask.

Following up on last month’s release of the Clannad OAV episode, I chose to rewatch the first season in its entirety. I’m now firmly of the opinion that Clannad is the most well-rounded of the Key anime adaptations. It’s almost exceptional. No doubt, I’m excited about the second season - especially so, now that an October broadcast date has finally been set.

Another recent rewatch was Kare Kano, which is remarkable for being one of only a few shows I own on DVD and consider a favorite, yet have only watched from start to finish a single time. Until now, of course. Given how the show aimlessly meanders to an indefinite ending in its second half, rewatching it is kind of like backing away from the table only five bites into a gourmet meal, stomach growling. Perhaps that’s why I hadn’t bothered all these years. It was plenty enjoyable, however, and it reminded me of how talented (and tormented) a director Hideaki Anno was back in his prime. I should rewatch Evangelion or something.

Just last night, I started my second attempt at watching ef - a tale of memories. If you’ve been visiting for awhile, you know that my first attempt ended in failure. I’m still guarded, of course, but I can honestly say that I find the show far more engrossing now that I’m watching the episodes in batches. I still feel that SHAFT’s characteristic style is better suited to lighter fare like Hidamari Sketch and Tsukuyomi Moon Phase, though. Anyway, I’m fairly certain I’ll finish the show this time around, and if I have any thoughts upon its conclusion, I’ll be sure to share them.

And that’s pretty much it. My apologies for the dry writing. It looks like I’m out of practice. That, and I’ve been awake since before sunrise. COFFEE GET. Still, it’s good to be back.