Archive for the 'Television' Category

Autumn On My Mind

14 Comments |
November 9, 2009
| Television

Since I was bumming around Japan when the current anime season first began, I’m a little behind the curve. However, I’m making an effort to catch up with what’s currently airing now that we’re entering the cold and dark part of the year and I have nothing better to do. Might as well watch some anime! Note that I still need to check out Sasameki Koto and To Aru Kagaku no Railgun, so no comment on those two shows as of yet.

Anyway, you know the drill…

Nyan Koi - Easily my favorite show of the season thus far, despite my initial low expectations. It plays the harem card effectively without getting too bogged down in harem conventions - almost to the extent I feel like I’m mischaracterizing the show by mentioning the “H” word in the first place. The show’s true charm, however, is its humor, which gets surprisingly wild at times. Some of the recent episodes have had me roaring with laughter.

Nogizaka Haruka no Himitsu - Purezza - I enjoyed the first season more than I should probably admit (there’s a podcast out there with record of that, so I guess I’m screwed as is), but I’m having a difficult time with this second season. Some episodes have been fairly enjoyable - the opener and the Hayate no Gotoku homage, for example - but others, such as the Christmas episode, have been tough to stomach. Not only have the two leads misplaced the better parts of their personalities, but the show as a whole has misplaced the plot. Hello, writers? See the show’s title? Perhaps you should try doing something with that. It worked last time, you know.

Kimi no Todoke - This show feels an awful lot like the second coming of Bokura ga Ita both in presentation and premise. I really enjoyed that show, so it stands to reason I should enjoy this one as well. And I do… for the most part. Sasaki Nozomi for teh Mamiko is a fair enough trade (both voices make me think dirty thoughts, I admit) and the lighter tone is a nice counter to Bokura ga Ita’s propensity to wallow. On the other hand, a lot of the drama in the initial episodes has felt manufactured enough that I can’t help but feel uneasy. Good shoujo can go sour in an instant.

White Album - More of the same, but with twice the budget! Or three times, maybe. Kind of difficult to multiply by zero, I guess. I half wonder if Seven Arcs kept production going full steam during the show’s six month intermission in an effort to stay ahead of schedule. Anyway, it’s more of the same silly soap opera drama and opaque writing that has no business being as enjoyable as it is. Touya is still every bit a spectacular douchebag. Legendary, really.

Kobato - So, I found this time machine in the coat closet the other day, and I thought, “what the hell,” and punched in 1998, and when I got there, I was totally in Japan (a bonus feature, I guess), and Cardcaptor Sakura was totally on TV, and so I totally watched it, and then I woke up, and I was back in 2009, and I got to feeling sad, because Sakura was surely some old lady by now, and the only decent CLAMP anime adaptation in the past ten years had been fucking Chobits (of all things), but then this Kobato show totally came on TV, and the birds started singing and the clouds started dancing and then I started thinking I shouldn’t have eaten those brownies after all.

Seitokai no Ichizon - I almost gave up on this show after the second episode, but I’m glad I stuck with it. There’s a certain low budget, taking-a-piss charm to the entire production, and the humor, while unbalanced, leans more to the “funny” side than the “not-so-funny” side. And, for a show that relies heavily on referential inside jokes, it doesn’t pull any punches. None of this, “we can only make fun of our own properties,” crap (I’m looking at you, Lucky Star).

Fresh Autumn Flavors

14 Comments |
September 26, 2008
| Television

Is it already that time of year? It’s been warm lately - I’m sitting outside, enjoying it at this very moment - but the leaves are nonetheless changing color and the nights are growing cooler. The cold and snow is just around the corner.

I don’t know how much value there is in doing these season previews, as I often change things up a few weeks in, but who am I to argue with tradition? Here’s what I’m looking forward to…

Clannad: After Story - That’s it for the laughs. We will now proceed to mope. Seriously, though, from what I’ve heard from people who have played the original game, the After Story arc is quite the tear-jerker. I’ll have the tissues ready. I’m happy that the second season is a two cour show, as it suggests the pacing will be “just right”. When all is said and done, Clannad will be (at least) a 49 episode show. Crazy.

ef - a tale of melodies - I’m still ruminating on whether I should watch this as it airs or wait and marathon it at a later date. I’m leaning toward the former. I could go for some “arthouse” anime right about now.

Hyakko - This looks an awful lot like slice of life comedy, which is clearly my favorite genre of anime nowadays. I have a feeling this might be the surprise hit of the season - for me, at least. My fingers are crossed.

Kannagi - I’ve been excited about this show ever since it was first announced. This, despite the fact I know jack all about the original manga. I think it’s the character designs - I love that style of “simple” moe. Also, it’s good to have Yamakan back. I look forward to his quirky direction.

Nodame Cantabile: Paris Chapter - The final episode of the first season left me a bit conflicted, as I felt it was a great place to stop, but at the same time, I wanted more (and then some). Cue second season. Problem solved.

Toradora - You know, I think Nagai Tatsuyuki has a bright future as a director. His work on the second season of Honey & Clover was really solid (I recently rewatched it, so it’s fresh on my mind). Same with Idolmaster XENOGLOSSIA - although I recognize that I’m in the small minority of people who actually have a positive opinion of said show. Either way, it’s Nagai’s involvement alone that has me interested in Toradora. I guess I’m a fan.

Yozakura Quartet - This is another instance of a show’s staff attracting my attention more than anything else. On it’s face, the premise makes the show sound like something I wouldn’t necessarily dig, but my gut is telling me to check it out. Who am I to argue?

Akane-iro ni Somaru Saka - This one goes in the “maybe” category. I’ve been hungry for a good eroge adaptation as of late, and since I’ve heard so many good things about the original game from people who have played it, it’d be silly not to at least give it a try. These shows can be a lot of fun every now and then.

Shugo Chara!! Doki - I’m way behind on the first season, but I’ll get to this eventually. It might just take awhile. Still, I feel I should list it, lest you guys think I gave up on what is probably the best mahou shoujo show to come out of Japan in years.

Skip Beat - Speaking of shoujo… why on earth did it take so long for this to get an anime adaptation? I feel like I’ve been hearing about Skip Beat for ages. Anyway, “aspiring idol” shoujo is one of my favorite types of shoujo (yes, it’s a genre almost all its own), so I’m really looking forward to this. Tis my hidden pleasure.

If at First You Don’t Succeed…

20 Comments |
August 31, 2008
| Television

Being a year behind the curve and all, I’m not sure there’s much I can say about ef - a tale of memories that hasn’t already been said. But I’ll say it anyway.

Previously, I described the series as “fascinating, but absolutely boring”. I got part of it right, at least. The show is indeed fascinating, both from a presentation and material standpoint. I don’t think there’s any denying that. For some, it might have been a little too fascinating - the SHAFT style doesn’t tickle everyone’s fancy, obviously - but, it was something special and unique nonetheless. For that alone, it commands attention.

Was the show really all that boring, though? No, not really. Or, to take a more nuanced approach, I found it boring before I found it not boring. I voted against it before I voted for it. In other words, on my first attempt at watching the series when it first aired a year ago, I was indeed bored with. Upon my second attempt a year later, I was enthralled. What happened?

The simple answer, I think, is that, whereas I was stuck following the show on a weekly basis like most everyone else the first time around, I marathoned it over the course of only a few days the second. There’s an ebb and flow in the pace of the show that wasn’t particularly evident when I was watching it in half hour chunks once a week; this ebb and flow is painfully obvious, however, when the entirety of the show is watched in short order. A series of climaxes, breakdowns, and hairpin turns, it was a hell of a ride once I surrendered myself to the show’s pace. I’ve always felt that not all anime is meant to be watched in the same fashion, and my experience with ef - a tale of memories clearly supports that philosophy.

Mea culpa aside, what of the show’s content? All in all, the story (or stories, I suppose) isn’t all that original as far as visual novel adaptations go. There are some unique elements - Chihiro’s illness, for example - and those elements are treated more thoughtfully and carefully than one would expect, but as far as the core story goes, it’s been done before. The direction and production made all the difference in the world, however. It took what was, in many ways, a generic story and turned it into something remarkably compelling. The love triangle storyline, for example, was essentially every love triangle storyline I’ve seen before (I kept having flashbacks to Kiminozo at the most inopportune moments). And Chihiro’s storyline was little more than the typical “girl with a mystery” tragedy that are a dime a dozen in the medium.

Yet, the anime adaptation was remarkable. I’d be curious to know how the original game was received, given that it didn’t benefit from the same treatment as the anime series. It’s worth noting how anime fans often pan adaptations that stray too far from their original material. And with good reason. For example, much of the strength of the recent Key visual novel adaptations lies in Kyoto Animation’s reliance on and militant devotion to the original storylines and narratives. And the anime adaptations of popular manga series that most often get high marks are those that stick to the predetermined gameplan. Not all anime is cut from the same cloth, however, and there are indeed instances in which “different” is good. Sometimes, it’s just a matter of a different approach casting something in a pleasing light. Sometimes, it’s a matter of casting something in a better and more positive light. Sometimes, it’s a matter of saving something from itself.

I think ef - a tale of memories is the perfect example of each and every one of those outcomes. It could have been nothing special. Should of been. But, it wasn’t. Chalk one up for anime, eh?

Ever since giving up on the series way back when, I wrestled with the question of whether or not I gave it a raw deal. I always try to give any anime series that catches my eye a fair shake, and when something I’ve dropped turns out to impress people I know to have a similar eye for anime as I do, as was the case with ef - a tale of memories, I can’t help but try again. And with the second season of the series looming, the timing couldn’t have been any better. Of course, I now face a rather curious predicament: do I dive into the second season a month from now and risk tripping to a “fascinating, but absolutely boring” conclusion once again, or do I have patience and set aside a weekend in the future in which to down the series in one fell swoop?

Tough call. It’s a mighty fine predicament to be in, though.

See You Again Soon

13 Comments |
August 25, 2008
| Television

Finishing Simoun for only a second time, I’m struck by how much more impact the ending has on me compared to my first viewing. Its ambiguous nature persists, but it’s nowhere near as vexing now that I’ve had ample opportunity to reflect on the story’s many interconnecting themes and the manner in which they were embodied in its characters. I feel silly for being so fond of the show despite my previous lack of understanding.

My mood upon finishing the show is far from ambiguous, however. I’m feeling blue. It’s actually a familiar feeling that arises every time I finish a show graced with an impressive ensemble cast. Nostalgia with a dash of loneliness, or something like that. It’s the feeling of graduations and farewell parties. Happy occasions or sad occasions, the end of an era is still the end of an era. I suppose this is the mark of any good anime series - or any good story, for that matter - but I truly think it’s the bidding farewell to such a group of beloved characters that makes it all the more bittersweet.

When contemplating on why I’m drawn to anime as I am, I come to the same basic conclusion time and time again: it’s the characterization, stupid. Characterization is something anime does exceptionally well. There are variations in quality, of course; the flat and simple characterization of a harem series has little in common with the detailed and elaborate characterization of a drama series. But an emphasis on characters over plot is something typical of anime. It wasn’t until I start watching anime that I even gave notice to the concept of “character study”.

Simoun is exactly that. A character study. Yes, there’s a fancy story to sweeten the pot - and I don’t mean to diminish the story, for the writing is every bit as impressive as you’ve heard - but it’s truly the priestesses of Chor Tempest who carry the show from first episode to last. That’s why the parting is such sweet sorrow.

It’s also why I’m already plotting my next viewing.

Good Morning

17 Comments |
August 22, 2008
| Administration, Television

When I first started my vacation, I didn’t have any clear idea when I’d be coming back. So, I proposed two conditions: I’d start blogging again once either the post announcing my vacation slipped off the front page or I drafted a sincere “screw it, I’m outta here,” post, whichever came first. Well, if you scroll down, you’ll see that that the post announcing my vacation is hanging from the edge of a cliff. And I recently drafted that “screw it, I’m outta here,” post. So, I guess I don’t have much choice but to get back to work, now do I?

First, though, a few notes on what I’ve been up to this past month…

I’ve recently started catching up on all of the currently airing shows I’ve claimed to be following, but haven’t. Macross Frontier has matured into a fine show, evidenced by my devouring two months worth of episodes in a single evening this past week. Itazura na Kiss continues to meet expectations, as does Nogizaka Haruka no Himitsu. Not so much the case for Mahou Tsukai ni Taisetsu na Koto: Natsu no Sora, which has been a bit of a disappointment. Telepathy Shoujo Ran and Natsume Yuujin-Chou are on my list; I never got far enough in to feel like I’ve fallen behind, so there’s no reason to rush. No comment on the third season of Zero no Tsukaima. Seriously. Don’t ask.

Following up on last month’s release of the Clannad OAV episode, I chose to rewatch the first season in its entirety. I’m now firmly of the opinion that Clannad is the most well-rounded of the Key anime adaptations. It’s almost exceptional. No doubt, I’m excited about the second season - especially so, now that an October broadcast date has finally been set.

Another recent rewatch was Kare Kano, which is remarkable for being one of only a few shows I own on DVD and consider a favorite, yet have only watched from start to finish a single time. Until now, of course. Given how the show aimlessly meanders to an indefinite ending in its second half, rewatching it is kind of like backing away from the table only five bites into a gourmet meal, stomach growling. Perhaps that’s why I hadn’t bothered all these years. It was plenty enjoyable, however, and it reminded me of how talented (and tormented) a director Hideaki Anno was back in his prime. I should rewatch Evangelion or something.

Just last night, I started my second attempt at watching ef - a tale of memories. If you’ve been visiting for awhile, you know that my first attempt ended in failure. I’m still guarded, of course, but I can honestly say that I find the show far more engrossing now that I’m watching the episodes in batches. I still feel that SHAFT’s characteristic style is better suited to lighter fare like Hidamari Sketch and Tsukuyomi Moon Phase, though. Anyway, I’m fairly certain I’ll finish the show this time around, and if I have any thoughts upon its conclusion, I’ll be sure to share them.

And that’s pretty much it. My apologies for the dry writing. It looks like I’m out of practice. That, and I’ve been awake since before sunrise. COFFEE GET. Still, it’s good to be back.

Have You Seen Me Lately?

14 Comments |
July 25, 2008
| Television

Hidamari Sketch x365 is fantastic. But you already knew that. Mahou Tsukai ni Taisetsu na Koto: Natsu no Sora is quite nice, too; although, Kobayashi Osamu’s spartan direction renders the show duller than it need be. Finally, Nogizaka Haruka no Himitsu is fun, even if it is convenience store anime.

The recently released Clannad OAV episode got me all excited about the second season - hopefully, there will be news on that front soon. The TV series had its fair share of memorable moments, of course, but that scene in the snow was really something. It had a sort of transparent authenticity that was missing from a lot of the “start crying, dammit!” scenes in both Kanon and Air. Both approaches work for me, but I fear sad Tomoyo in snow has now raised the bar.

I finally got around to finishing Higurashi no Naku Koro ni Kai, which I had lost interest in about half way through back when it aired. It’s funny how what started off as a sometimes engrossing horror show ended up being little more than a generic cat and mouse thriller when all was said and done. It was plenty entertaining, but I don’t think the core story was interesting enough to merit 50 episodes.

I also found the time to watch Dennou Coil. Initially, I avoided the show on the mistaken assumption it was something weird and cerebral. Turns out, it’s very accessible and mainstream - a kids show with brains, basically. Anyway, I now understand why the show was so widely praised a couple years back; it really is one of the more well rounded anime series to come out of Japan in recent years. If you haven’t watched it yet, I’d suggest doing so.

Oh, and before I go, I should mention that, despite my (undeserved) reputation for not being a fan of the Melancholy of Suzumiya Haruhi, I have ordered the recently released DVD collection, and I am looking forward to rewatching it for the first time.

And, yes, I’m still taking a break from blogging.

Home Again

14 Comments |
June 23, 2008
| Television

I spent some time this weekend catching up with Toshokan Sensou, a show I lost all enthusiasm for only a few episodes in, initial interest notwithstanding. Like a lot of people, my disappointment with the show was a direct response to its ridiculous premise. However, having given it a second try, I’ve come to the conclusion that the premise isn’t quite as ridiculous as it seems. Oppressive totalitarian regimes often do have a taste for censorship, and there have been instances in history in which armed resistances have coexisted in a persistent stalemate with the ruling party for so long that they’re eventually recognized as legitimate institutions.

Ultimately, the trouble with Toshokan Sensou is not the premise, but the execution. The politics of Seika Japan are clearly more complicated than the show lets on, and the friendly manner in which the two opposing factions do battle suggests that the author mostly wanted to write a war story without, you know, dwelling on gloomy things like death and destruction (how delightfully Japanese). It’s undercooked, to say the least. But, taken as alternate history, it’s about as believable as any light political thriller that turns reality upside down for flavor, and taken as the coming of age character drama it eventually becomes, it’s about as satisfying as any other anime series of similar form, fit, and function.

In other words, it’s turned into a perfectly enjoyable show now that I’ve stopped trying to analyze and second guess it to death.

The funny thing is, it’s my natural inclination to take anime at face value, and not to analyze it or second guess it to death. Why did I not afford Toshokan Sensou the same benefit of a doubt as I would any other anime series? Why was I so quick to judge it so harshly? I really don’t know. I’m perceptive enough to recognize that I’ve been “down” on anime these past several months, if not “down” on a lot of things in general, so it could be I was simply looking for any reason to drop the show - any show, really - from my regular viewing rotation. Or, it could be I was just horribly depressed to see Aria come to a close.

Whatever the reason, it so concerns me that I would act in such a way that’s so out of character and so antithetical to the way I typically approach anime, that I feel like I need to subject myself to repeated viewings of Saikano both as a penance and as a reminder of what disappointing anime really feels like.

Or, I could just cut the crap and catch up with some of the other shows I’ve been ignoring. Like Itazura na Kiss. And Shugo Chara. And the second season of Da Capo II.

They ain’t gonna watch themselves.