Archive for the 'Television' Category

Azunyan for President

I can’t even begin to describe how delighted I am that K-ON! is back, and (supposedly) for two cours, at that. It seems I’m not alone. I’m feeling a lot of good vibes this time around. Perhaps the first season grew on people over time much the same way it grew on me? Or perhaps it’s because the old “it’s just a bunch of girls sitting around drinking tea, eating cake and being moe” critique is mostly irrelevant now that the show makes no bones about the fact that it is, for all intents and purposes, just that.

I mean, the show pretty much lays all of its cards out on the table by the seventh second of the OP animation, amirite?

That said, I never expected K-ON! to grow into a franchise. I think it goes without saying that, until now, Kyoto Animation’s output has mostly been defined by Haruhi and their various VisualArt’s/Key adaptations. Initially, I assumed K-ON! to be little more than a four month long part time job taken to help pay the rent. Oops. Of course, it may very well be that K-ON! is the very model of a modern unexpected hit to which all parties directly involved were just as surprised as I was. Not like anyone would ever publicly admit to that, of course (”Yes sir, I DID expect buckets of money all along, and, no sir, I don’t know why that bucket looks like it used to say ‘Melancholy of something-or-other’ on it.”), so I guess we’ll never know.

Here’s some food for thought, though…

K-ON! isn’t the only slice of life show to pull this “Franchise GET” stunt in recent years.

Watching a bunch of girls sitting around drinking tea, eating cake and being moe… or rowing boats… or having a nice soak in the bath at the end of the day… perhaps there are plenty of anime fans out there who really do like this sort of thing after all?

We should get together and start a club or something. Or write a book.

In Summary

“Won’t somebody please think of the children?!”

Autumn On My Mind

Since I was bumming around Japan when the current anime season first began, I’m a little behind the curve. However, I’m making an effort to catch up with what’s currently airing now that we’re entering the cold and dark part of the year and I have nothing better to do. Might as well watch some anime! Note that I still need to check out Sasameki Koto and To Aru Kagaku no Railgun, so no comment on those two shows as of yet.

Anyway, you know the drill…

Nyan Koi - Easily my favorite show of the season thus far, despite my initial low expectations. It plays the harem card effectively without getting too bogged down in harem conventions - almost to the extent I feel like I’m mischaracterizing the show by mentioning the “H” word in the first place. The show’s true charm, however, is its humor, which gets surprisingly wild at times. Some of the recent episodes have had me roaring with laughter.

Nogizaka Haruka no Himitsu - Purezza - I enjoyed the first season more than I should probably admit (there’s a podcast out there with record of that, so I guess I’m screwed as is), but I’m having a difficult time with this second season. Some episodes have been fairly enjoyable - the opener and the Hayate no Gotoku homage, for example - but others, such as the Christmas episode, have been tough to stomach. Not only have the two leads misplaced the better parts of their personalities, but the show as a whole has misplaced the plot. Hello, writers? See the show’s title? Perhaps you should try doing something with that. It worked last time, you know.

Kimi no Todoke - This show feels an awful lot like the second coming of Bokura ga Ita both in presentation and premise. I really enjoyed that show, so it stands to reason I should enjoy this one as well. And I do… for the most part. Sasaki Nozomi for teh Mamiko is a fair enough trade (both voices make me think dirty thoughts, I admit) and the lighter tone is a nice counter to Bokura ga Ita’s propensity to wallow. On the other hand, a lot of the drama in the initial episodes has felt manufactured enough that I can’t help but feel uneasy. Good shoujo can go sour in an instant.

White Album - More of the same, but with twice the budget! Or three times, maybe. Kind of difficult to multiply by zero, I guess. I half wonder if Seven Arcs kept production going full steam during the show’s six month intermission in an effort to stay ahead of schedule. Anyway, it’s more of the same silly soap opera drama and opaque writing that has no business being as enjoyable as it is. Touya is still every bit a spectacular douchebag. Legendary, really.

Kobato - So, I found this time machine in the coat closet the other day, and I thought, “what the hell,” and punched in 1998, and when I got there, I was totally in Japan (a bonus feature, I guess), and Cardcaptor Sakura was totally on TV, and so I totally watched it, and then I woke up, and I was back in 2009, and I got to feeling sad, because Sakura was surely some old lady by now, and the only decent CLAMP anime adaptation in the past ten years had been fucking Chobits (of all things), but then this Kobato show totally came on TV, and the birds started singing and the clouds started dancing and then I started thinking I shouldn’t have eaten those brownies after all.

Seitokai no Ichizon - I almost gave up on this show after the second episode, but I’m glad I stuck with it. There’s a certain low budget, taking-a-piss charm to the entire production, and the humor, while unbalanced, leans more to the “funny” side than the “not-so-funny” side. And, for a show that relies heavily on referential inside jokes, it doesn’t pull any punches. None of this, “we can only make fun of our own properties,” crap (I’m looking at you, Lucky Star).

Fresh Autumn Flavors

Is it already that time of year? It’s been warm lately - I’m sitting outside, enjoying it at this very moment - but the leaves are nonetheless changing color and the nights are growing cooler. The cold and snow is just around the corner.

I don’t know how much value there is in doing these season previews, as I often change things up a few weeks in, but who am I to argue with tradition? Here’s what I’m looking forward to…

Clannad: After Story - That’s it for the laughs. We will now proceed to mope. Seriously, though, from what I’ve heard from people who have played the original game, the After Story arc is quite the tear-jerker. I’ll have the tissues ready. I’m happy that the second season is a two cour show, as it suggests the pacing will be “just right”. When all is said and done, Clannad will be (at least) a 49 episode show. Crazy.

ef - a tale of melodies - I’m still ruminating on whether I should watch this as it airs or wait and marathon it at a later date. I’m leaning toward the former. I could go for some “arthouse” anime right about now.

Hyakko - This looks an awful lot like slice of life comedy, which is clearly my favorite genre of anime nowadays. I have a feeling this might be the surprise hit of the season - for me, at least. My fingers are crossed.

Kannagi - I’ve been excited about this show ever since it was first announced. This, despite the fact I know jack all about the original manga. I think it’s the character designs - I love that style of “simple” moe. Also, it’s good to have Yamakan back. I look forward to his quirky direction.

Nodame Cantabile: Paris Chapter - The final episode of the first season left me a bit conflicted, as I felt it was a great place to stop, but at the same time, I wanted more (and then some). Cue second season. Problem solved.

Toradora - You know, I think Nagai Tatsuyuki has a bright future as a director. His work on the second season of Honey & Clover was really solid (I recently rewatched it, so it’s fresh on my mind). Same with Idolmaster XENOGLOSSIA - although I recognize that I’m in the small minority of people who actually have a positive opinion of said show. Either way, it’s Nagai’s involvement alone that has me interested in Toradora. I guess I’m a fan.

Yozakura Quartet - This is another instance of a show’s staff attracting my attention more than anything else. On it’s face, the premise makes the show sound like something I wouldn’t necessarily dig, but my gut is telling me to check it out. Who am I to argue?

Akane-iro ni Somaru Saka - This one goes in the “maybe” category. I’ve been hungry for a good eroge adaptation as of late, and since I’ve heard so many good things about the original game from people who have played it, it’d be silly not to at least give it a try. These shows can be a lot of fun every now and then.

Shugo Chara!! Doki - I’m way behind on the first season, but I’ll get to this eventually. It might just take awhile. Still, I feel I should list it, lest you guys think I gave up on what is probably the best mahou shoujo show to come out of Japan in years.

Skip Beat - Speaking of shoujo… why on earth did it take so long for this to get an anime adaptation? I feel like I’ve been hearing about Skip Beat for ages. Anyway, “aspiring idol” shoujo is one of my favorite types of shoujo (yes, it’s a genre almost all its own), so I’m really looking forward to this. Tis my hidden pleasure.

If at First You Don’t Succeed…

Being a year behind the curve and all, I’m not sure there’s much I can say about ef - a tale of memories that hasn’t already been said. But I’ll say it anyway.

Previously, I described the series as “fascinating, but absolutely boring”. I got part of it right, at least. The show is indeed fascinating, both from a presentation and material standpoint. I don’t think there’s any denying that. For some, it might have been a little too fascinating - the SHAFT style doesn’t tickle everyone’s fancy, obviously - but, it was something special and unique nonetheless. For that alone, it commands attention.

Was the show really all that boring, though? No, not really. Or, to take a more nuanced approach, I found it boring before I found it not boring. I voted against it before I voted for it. In other words, on my first attempt at watching the series when it first aired a year ago, I was indeed bored with. Upon my second attempt a year later, I was enthralled. What happened?

The simple answer, I think, is that, whereas I was stuck following the show on a weekly basis like most everyone else the first time around, I marathoned it over the course of only a few days the second. There’s an ebb and flow in the pace of the show that wasn’t particularly evident when I was watching it in half hour chunks once a week; this ebb and flow is painfully obvious, however, when the entirety of the show is watched in short order. A series of climaxes, breakdowns, and hairpin turns, it was a hell of a ride once I surrendered myself to the show’s pace. I’ve always felt that not all anime is meant to be watched in the same fashion, and my experience with ef - a tale of memories clearly supports that philosophy.

Mea culpa aside, what of the show’s content? All in all, the story (or stories, I suppose) isn’t all that original as far as visual novel adaptations go. There are some unique elements - Chihiro’s illness, for example - and those elements are treated more thoughtfully and carefully than one would expect, but as far as the core story goes, it’s been done before. The direction and production made all the difference in the world, however. It took what was, in many ways, a generic story and turned it into something remarkably compelling. The love triangle storyline, for example, was essentially every love triangle storyline I’ve seen before (I kept having flashbacks to Kiminozo at the most inopportune moments). And Chihiro’s storyline was little more than the typical “girl with a mystery” tragedy that are a dime a dozen in the medium.

Yet, the anime adaptation was remarkable. I’d be curious to know how the original game was received, given that it didn’t benefit from the same treatment as the anime series. It’s worth noting how anime fans often pan adaptations that stray too far from their original material. And with good reason. For example, much of the strength of the recent Key visual novel adaptations lies in Kyoto Animation’s reliance on and militant devotion to the original storylines and narratives. And the anime adaptations of popular manga series that most often get high marks are those that stick to the predetermined gameplan. Not all anime is cut from the same cloth, however, and there are indeed instances in which “different” is good. Sometimes, it’s just a matter of a different approach casting something in a pleasing light. Sometimes, it’s a matter of casting something in a better and more positive light. Sometimes, it’s a matter of saving something from itself.

I think ef - a tale of memories is the perfect example of each and every one of those outcomes. It could have been nothing special. Should of been. But, it wasn’t. Chalk one up for anime, eh?

Ever since giving up on the series way back when, I wrestled with the question of whether or not I gave it a raw deal. I always try to give any anime series that catches my eye a fair shake, and when something I’ve dropped turns out to impress people I know to have a similar eye for anime as I do, as was the case with ef - a tale of memories, I can’t help but try again. And with the second season of the series looming, the timing couldn’t have been any better. Of course, I now face a rather curious predicament: do I dive into the second season a month from now and risk tripping to a “fascinating, but absolutely boring” conclusion once again, or do I have patience and set aside a weekend in the future in which to down the series in one fell swoop?

Tough call. It’s a mighty fine predicament to be in, though.