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Simoun Licensed

In case you haven’t heard the news yet, Simoun has been licensed for North American release by Media Blasters. For those of you just dropping in, Simoun was my favorite show of the past year.

I can’t say I’m all that surprised, seeing as I’ve suspected the show would be licensed eventually, if not within the year. Also, rumors of the show’s licensing have been floating around for a couple of months now.

Still, even if I’m not surprised by the announcement, I’m happy as can be. So, if you will allow…

MEDIA BLASTERS BANZAI! JOHN SIRABELLA BANZAI! SIMOUN BANZAI!

Merry Christmas

The Melancholy of Suzumiya Haruhi has been licensed for North American release by… someone.

Lies, Damn Lies, and Statistics

In a post last week, I described my anime DVD purchasing habits as follows: “I don’t buy much anime on DVD these days, mostly owing to the fact that much of what’s being licensed and released lately is of little interest to me.” Well, somewhere around mile one thousand, two hundred and twenty three driving through rural Nebraska yesterday, I got to wondering about the accuracy of that statement. So, this afternoon, I sat down and ran the numbers.

Generally, if I watch a show fansubbed from start to finish, it’s because I enjoy it. In other words, if I dislike a show, I’m unlikely to finish it. So, if I watched a show in its entirety, it’s at least “of interest” to me. Since the R1 licensing landscape began to change with the DVD market downturn of 2004, I chose to limit my data set to those shows which have aired since January of that year. That’s just under three years worth of new anime. So, let’s get to it…

Number of shows watched fansubbed, in their entirety, since January 2004: 59

Of those, the number of shows licensed (and announced as such) for R1 release: 19

Now, let’s look at the details for those shows which have been licensed. So far, 10 shows have either been released on DVD in their entirety or are in the process of being released. Of those shows, I have purchased or am in the process of purchasing 5 (Comic Party Revolution, Diamond Dust Drops (R2), Genshiken, Ichigo Mashimaro, and Koi Kaze). Now, of the remaining 9 shows that have yet to be released on DVD, I tentatively plan to purchase 4 (Mushishi, School Rumble, Shuffle, Suzuka). So, of all shows licensed, I have either purchased, am in the process of purchasing, or plan to purchase a total of 9 on DVD. Half, basically. The remaining 10 shows aren’t bad, by any means - I just don’t feel they have enough rewatch value to justify owning on DVD.

Now, the number of shows that remain unlicensed: 40

Twice the number of shows that have been licensed, basically, or nearly 70% of all shows watched. Of these shows, I have purchased a grand total of 1 on R2 DVD (Uta Kata). That leaves 39 shows unaccounted for. Of these, how many would I be interested in purchasing on DVD should they be licensed for R1 release? 20. That’s a lot of shows. Unfortunately, looking at the list, I won’t be holding my breath.

So, what’s the conclusion? Of the all the shows I’ve watched fansubbed in their entirety the past three years, roughly 30% have been licensed for R1 release. I own or am interested in owning half of those. Of the remaining 70% of shows that have gone unlicensed, I’m interested in owning half. Of all shows watched, licensed, and unlicensed, I own or am interested in owning, you guessed it, half.

Taking all of that into consideration, was my original statement accurate? For the most part, yes. It’s worth noting that, of all of the shows that have been licensed thus far, the vast majority aired in 2004. And it’s also worth noting that, of all of the shows that remain unlicensed, there are quite a few I’d consider personal favorites. Hear that, R1 distributors? I’m an untapped market!

Oh, and while I was at it, I calculated the value of my anime DVD collection: roughly $11,000.

Hey, it’s got to be cheaper than buying figures.

The Art of Kobayashi Shichiro

I thought I was going to have to promote Asatte no Houkou, but from reading other anime blogs and keeping an eye on discussion boards, it looks as if the first episode has been well received. Big thanks to Lunar Anime for fansubbing the show and making it accessible to a wider audience.

I’ve been looking forward to Asatte no Houkou for awhile now, and it’s mostly for one reason: Kobayashi Shichiro. As Art Director for the show, he’s primarily responsible for background design. I’m a background junkie - it’s what I pay attention to most when judging a show’s production values - and, should you ask me to list my favorite shows in that capacity, Kobayashi Shichiro would be a common link amongst them.

He has a unique style, and if you’ve watched any of the shows he’s worked on, that style should be easily recognizable. Simoun, To Heart, Figure 17, Utena, A Little Snow Fairy Sugar, Yokohama Kaidashi Kikou, Windy Tales… the list goes on and on. In fact, that’s just a smattering of recent titles. At 74 years old, Kobayashi has been in the anime business for a long time - since the mid 1960s, believe it or not. He’s worked on shows you and I have never even heard of.

Oh, and an interesting bit of trivia: before his career in the anime industry took off, Kobayashi was an elementary school art teacher. How cool is that?

Hopefully, he’s not planning on retiring any time soon. He looks good for his age, at least.

Fandom Eats Itself

Once more unto the breach!

Before I begin, I should mention that I’m only keeping up with one Doremi release at the moment, that being Binbou Shimai Monogatari. Ignoring the odd line here and there, I’ve been satisfied with the group’s work on the show. Still, I think DarkMirage’s criticism of their Mai-Otome DVD Special release is legitimate. Someone really dropped the ball there.

Anyway…

Why do I watch fansubs? Because I’m lazy, to be honest. My Japanese comprehension skills are decent enough, but even despite that, there are very few shows I can fully enjoy without the aid of any translation whatsoever. Some shows, I can manage well enough. Others, I’d be completely lost without subtitles. In the end, I only have time to watch any given episode once before moving on, so I find its simply more efficient to wait patiently for a fansub release than attempt to stay on top of a show as it airs in Japan. My schedule is wonky enough that, even if I were pulling episodes off Winny the day they aired, I wouldn’t have time to watch them for several more days to come. Fansubs suit my pace, it seems.

But, as much as I appreciate the work fansub groups are doing, I have to admit that I find the fansub community in general to be a pretty ugly place. It’s the stench of arrogance, I think. Visit just about any fansub group’s website and poke around their discussion forum, and you’ll see it plain as day…

“When will the next episode be released?”

“Shut up and go away. It’ll be released when it’s released.”

It’s no secret that fansub groups compete with each other. Not over quality of work, mind you - unless you consider annoying karaoke effects to be work befitting of honest criticism - but, rather, over eyeballs. The group that gets the most attention wins. Who has more people idling in their IRC channel? Who has the most active discussion forum? Who sees their name in lights most often? It’s a popularity contest, obviously.

So why, pray tell, are so many fansubbers such giant assholes most of the time? Why do they insist on reminding people to “not complain about something they got for free?” Why do they waste so much energy trashing the commercial anime industry - an industry that, for all basic purposes, is responsible for bringing anime fandom out of the shadows and into the mainstream? And why do fansub groupies bend over and take it with a smile? The moronic “Fansubs are better than DVDs!” talking point will never die, I fear.

Mind you, I don’t think the fansub scene is a lost cause. I’d argue that things have improved a good bit in recent years. The days of mega-groups subbing more shows than feasible are behind us, it seems. Fewer niche shows are falling through the cracks. There are still some good groups out there doing good work for all the right reasons.

On the other hand, I have to agree with DarkMirage: fansubbers aren’t doing what they claim to be doing. Are fansubbers (and their fans) so arrogant as to think the commercial anime industry would be lost without them? Or is that just an excuse?

Honesty counts, you know.