Monthly Archive for November, 2007Page 2 of 3

Something Hatched…

Every anime season, there’s at least one good show for which I’m late to the party. Being late isn’t necessarily a bad thing, however. After all, when a new season first begins, I have to sort through a ridiculous number of shows that catch my attention and make a decision on what to watch and what not to watch. There’s only so much time in the day, however, so I often end up passing on shows that interest me, resolving to watch them at some point in the future. But when the same cycle repeats itself every three months, what can I do? Well, let me show this long list of stuff I’ve been meaning to watch…

If I completely ignore a show from the very start, however, only to give it a try after I’ve decided what to watch otherwise, I’m more likely to give it my full and undivided attention. Because, by that point, there are no longer twenty different shows competing for space in my viewing schedule. It’s plenty easy to squeeze something in after the fact. And, quite often, shows squeezed in after the fact turn out to be something special.

This season’s special show is Shugo Chara.

I like mahou shoujo shows. I don’t know if I like them enough to call myself a mahou shoujo fan, but I do enjoy watching them. Unfortunately, there haven’t been many mahou shoujo shows worth watching the past few years. In the span of only six episodes, however, Shugo Chara has restored my faith in the genre. For that matter, it’s reminded me of how much I enjoy shoujo in general, magical girl flavored or not. I really need to get back to my roots and start watching more of this stuff.

Shugo Chara is wonderful, however, and I’m thankful for all the fans who have been talking up the show for weeks now. I don’t know if I would have revisited my initial, “Hey, this looks cute,” feeling, otherwise. And now, I’m wondering if I need to make space for the show in the upcoming Year in Review. Yes, I’m seriously enjoying it that much.

Why, though? Well, the writing is pretty damn good, for one. Mahou shoujo shows are rarely models of brilliant story-telling, but Shugo Chara has done an outstanding job thus far taking the standard “Believe in yourself!” and “Ganbare!” mahou shoujo themes and presenting them in a fashion that’s neither cloying nor overly saccharine. There’s almost something “adult” about the show; and I don’t mean in the ecchi sense (although, Amu is pretty easy on the eyes), but rather in the sharpness of the humor, the quality of the characters, and the great sense of style. It’s a lot like Cardcaptor Sakura in that regard, just a little more grown-up.

The animation is pretty stellar, too. I’ve always liked Satelight’s work, at least from an art direction standpoint. However, they’ve had some quality control issues with some of their recent shows, Kamichama Karin (another mahou shoujo show) being the most egregious example. Thankfully, Sugo Chara has yet to suffer from these issues. In fact, the animation quality has been consistently good from the very beginning. And that’s important, because the character designs deserve first class treatment. They’re very attractive.

And I’d be remiss not to mention the ridiculously catchy OP and ED. Now I understand why everyone watching the show keeps making “Hop Step Jump” jokes. The OP animation is particularly stylish; the shot swooping in on Amu lying in the grass impresses me every time I see it, much like the shot of the young girl running through the field of flowers in the Clannad OP. I must like that sort of thing.

So, even though I was late to the party, I’m really glad I gave Shugo Chara a try. And if rumors of a 52 episode run are to be believed, the party’s going to last for awhile.

Save Me, Ogiue!

I know it’s a martial arts reference (I hope it’s a martial arts reference), but when I saw this on the way to work this morning, I immediately thought of something else entirely.

Ah, to be an anime fan.

Flame Out

You know, it’s funny how everyone and their brother is giving up on the second season of Shakugan no Shana, because I just recently gave up on the first season.

My first exposure to the series came at Comiket, of all places. It was about a month before the first season premiered, and Geneon was advertising the hell out of it. I still have a lot of promotional material boxed away somewhere. The first episode aired around the time I returned to the States, and with plenty of other stuff to watch and the series not looking like something I’d be all that interested in, I passed on it.

Fast forward a year, and I found myself having second thoughts, courtesy of Zero no Tsukaima. Friends dissuaded me, however, so I kept on ignoring the show. And everyone else kept on talking about it. Not like it was the first time I had skipped watching a popular show for lack of interest.

With the arrival of the second season last month, however, I decided, “enough is enough,” and gave the first season a try. It started off well enough. In fact, it got off to a great start, which would only make the show’s flaws all the more conspicuous in later episodes. I think it was around the time the french kissing twins showed up that I realized I should have just continued ignoring the show like I always had. I didn’t care about the characters, the animation stunk, the story was like something out of a high school creative writing class, and I couldn’t stand Shana.

And that last one proved to be the final nail in the coffin. After all, I’m generally fond of Kugimiya Rie tsundere characters (I have a thing for Louise, for crying out loud!), but Shana was so simultaneously bitchy and boring that I cheered every time she got her ass handed to her. I’m really surprised by how popular a character she is; perhaps she grows more interesting with time, but I wasn’t interested in sticking around to find out.

So, thirteen episodes in, and I was out. But, before I put the show to rest for good, I think it’s only prudent to ask: does it get any better? Or am I better off not knowing?

Alas, My Youth

This is somewhat off-topic, but I’m curious if anyone reading has experience with this television, especially with regard to how it handles anime. I know it’s not 1080p, but at 32″, the extra resolution is kind of useless. Plus, I’ll be watching SD content for many years to come.

Any thoughts? I don’t know if I’m in the market or not, but I’m giving it serious consideration.

November Review

That looks inviting. Anyway, you know the drill by now…

Clannad - Having waited for the 16:9 version to begin airing, I’ve only watched the first couple of episodes. The brisk pace immediately reminded me of Air, but the direction is tight enough this time around that the show doesn’t feel like a runaway freight train. As I’ve mentioned in the past, Clannad is the one Key game I know very little about, so I don’t have any particular expectations for the adaptation going in. It’s off to a great start, at least.

Kimikiss Pure Rouge - A few people have already compared this show to Boys Be, which I suspect very few of you have watched, much less heard of. I’ve always been especially fond of that show, however, and I think the comparison is spot on. The most notable difference, really, is that Kimikiss is a little less male-oriented. And that’s a good thing. Anyway, it’s a remarkably enjoyable show, especially considering that it consists almost entirely of people walking to and from school.

Mokke - This show continues to fly under the radar, but from a content standpoint, I think it’s one of the most interesting of the season. The stories appear simple on the surface, but the more I watch, the more depth I discover in the writing. There’s sort of an old school vibe to the show; not just with the obviously dated character designs, but the overall atmosphere and presentation. It’s very comforting.

Minami-ke - Perhaps it’s just me, but there’s a lot of underlying sexual tension in this show. However, it’s nothing like the mangaka’s previous work, Kyou no Go no Ni. The funny thing is, the characters in Kyou no Go no Ni are much younger on average than the characters in Minami-ke. Interesting. Anyway, the humor in Minami-ke is occasionally hit-or-miss, but the more I watch, the better it gets. The teruterubozu sequence in last week’s episode had me laughing so hard I cried.

Genshiken 2 - Letting a porn studio handle the production for this season of Genshiken was a wonderful idea. Not only is the animation quality more consistent than before, but the the smut is extremely well done. And there’s a lot of smut this time around. I’m starting to understand why the manga has so many fans.

Hayate no Gotoku - I’m amazed by how consistently enjoyable and funny this show continues to be. And it’s only half way through its run! I’ve heard a lot of talk about how the show lost its balance over the Summer, and while I generally agreed with that assessment at the time, I’m starting to think it was more a matter of the show finding its groove and sticking to it. Whatever the case may be, I know I still look forward to new episodes each week - moreso than any other show I’m watching, really - and I think that’s pretty darn impressive for a series that’s been on the air for seven months.

Bamboo Blade - This show has really exceeded my expectations. It almost feels like an accident; was it supposed to be this enjoyable? Beats me.

You’re Under Arrest - Full Throttle - Were these episodes left on the cutting room floor during the first two seasons or something? Even for a show as corny as You’re Under Arrest, this season has been especially silly thus far. I don’t mind, really - otherwise, I wouldn’t be such a big fan of the franchise - but it does seem like the show has finally run out of story ideas.

Sketchbook ~ Full Colors ~ - I can live with the tildes, but I refuse to acknowledge the improper punctuation. Just a note. Oh, and best show of the season.

Moving Pictures

I watched Millennium Actress for the first time in ages this evening. I can’t remember when I last watched it, to be honest. As incredible a film that as it may be, it rarely calls out to me when I’m scanning my DVD collection, looking for something to watch. Nor is it the most entertaining of Satoshi Kon’s films; I’d give Tokyo Godfathers the nod in that respect. However, I think it’s his most interesting film, at least from a conceptual standpoint. It’s funny how it practically teeters on the edge of collapse for an hour and a half. Perhaps that’s why I go so long between viewings. It’s as frustrating as it is wonderful.

Once the end credits rolled, however, I got to thinking about theatrical anime. Or the lack thereof. If you ask me to list the most influential anime films of the past year, only Byousoku 5 Centimeter comes to mind. The previous year, only Toki wo Kakeru Shoujo and Tales from Earthsea. It seems that, in any given year, you can count the number of major anime theatrical features on one hand. Yet, in the same time period, somewhere in the neighborhood of a hundred new TV series will debut.

I suppose there’s not much of a market for anime films. Only major releases from Studio Ghibli and movies associated with popular TV shows seem to perform well at the box office. However, Studio Ghibli can only release a new film every couple of years. And even though Naruto and Pokeman movies are a dime a dozen, I don’t think anyone cares all that much with the exception of the children of Japan. Every few years, something unique will come along and capture the public’s attention - the aforementioned Toki wo Kakeru Shoujo, for example - but it almost seems as if animated theatrical features are more an oddity in Japan than they are here in the United States. Funny, ain’t it?

And just as anime films have become rare, so have direct to video OAV releases. The OAV format was fairly popular as late as the 90s - I suspect it had something to do with Laserdiscs being well-suited to OAV length episodes - but it almost seems as if the age of the OAV has since come and gone. Yes, you still see some single episode releases and follow-on TV series specials, but true, multi-episode, standalone OAV series have become a rare sight indeed.

It’s a shame, really. TV series have long been the bread and butter of the anime industry, of course, but a lot of stories are better suited to film or OAV format. After all, how many times have you finished a twelve episode TV series and thought to yourself, “that would have worked better as a six episode OAV?”

A lot of times, I’d imagine.

Kin-chan Kakkoyoi!

To hell with Gundam…

Real men don’t pilot giant robots. Real men wear polyester.