Monthly Archive for July, 2007Page 2 of 2

In Defense of Moe… Maybe?

On more than one occasion, I’ve been described as a moe fanatic. Or, in less amicable instances, accused.

Even though I don’t really agree with the characterization, I generally take it in stride. After all, I do watch a lot of shows that cater to the moe crowd. And, I’ve never been one to rail against the presence of moe in an otherwise non-moe show (you got moe in my serious business!). I suppose simply accepting and occasionally enjoying moe is enough to make one a moe fanatic in the eyes of anti-moe zealots. It can’t be helped.

However, given how moe is as common to manga and anime nowadays as dirt is to the ground, it’s kind of hard to avoid the stuff, now isn’t it? I have to respect those who show disdain for moe not for their impeccable taste, but rather their talent for extracting garbage from a landfill.

Seriously, though, with moe being such a regular part of today’s anime scene, I find that my definition of what constitutes a “moe vehicle” is constantly changing. Does the mere presence of a single moe character a moe vehicle make? And, for that matter, what is a moe character? A character who behaves in an obvious moe fashion? Any female character below the age of twenty-five? Any female character? Any non-Hokuto no Ken character? And how much moe makes a moe vehicle (if a moe vehicle could chuck wood)? Moe, as far as the eye can see? A dash of moe for taste? The color pink somewhere in the logo?

And, while we’re at it, what the hell does moe mean in the first place?

In other words, if moe is such an ill-defined concept, is there value in categorizing shows as such, this one in the “moe” column, that one in the “not moe” column? Or, for that matter, is there value in categorizing fans in much the same fashion? After all, those who would describe me as a moe fanatic no doubt subscribe to a more liberal definition of what is and isn’t moe than I do. The shows I would consider to be overwhelmingly moe, I rarely watch. And, if I examine my list of all-time favorite anime series (which you can find here), I only find four or five shows that exhibit what I would consider moe tendencies - and only one that I would consider a true moe vehicle.

But you might feel differently. In fact, I’d expect you to feel differently. That’s just the way moe is.

Kumbaya.

I still don’t understand you “gar” fans, though. That’s just weird.

Happy Tanabata!

Happy Tanabata to all! I had planned on decorating a bamboo plant for the occasion, but… well, this ain’t bamboo country. Every salesperson at every nursery I visited pointed me toward this plant, which isn’t even bamboo in the first place.

So, I hung some paper cranes, instead.

When I was in Japan, there were quite a few people who followed my day to day activities. Thus, the company received a lot of letters and gifts on my behalf, all of which were presented to me at my going away party the night before I returned to the United States. I had already known about the letters, as one of my producers had a habit of teasing me by sharing some of the juicier ones with the rest of the office (I was popular with lonely housewives… use your imagination), but I didn’t know about the thousands of paper cranes that had been mailed in from all over the country. I was impressed not only by the sheer quantity, but also by the amount of effort that must’ve gone into folding each and every one.

They’ve been boxed up and stored away ever since, however, so it’s nice to take them out to admire once again. Perhaps I should find a permanent place for them.

Into Thin Air

A little something funny happened on my way to finishing Sola. A few episodes from the end, I just up and stopped watching. Why? I haven’t the foggiest idea.

Granted, this sort of thing has happened before. Sometimes, I get around to finishing the show. Other times, it gets lost in the shuffle and carves out a perpetual niche in my, “I really need to finish watching this show when I have the time,” list. Like Emma, for example. Oh, how many times I told myself, “I really need to finish watching this show when I have the time.” Next thing I know, hell has frozen over and it’s been licensed for North American release. I suppose I’ll have to add the show to my, “I should really buy this on DVD when I have some extra money laying around,” list. That’s a crowded list, by the way.

Sola, however? Well, I did say something funny happened on my way to finishing the show, didn’t I?

And that I did.

If you asked me to describe Sola, I’d have to do it in this fashion: Great show. Absolutely forgettable. And I say that in the most gentle way possible. Like a lot of people, my initial interest in Sola stemmed from its much touted Kanon and Da Capo connection. As I watched the show, however, my attention turned to its efficient storytelling. Perhaps with its short episode run in mind, the show wasted no time introducing its tiny cast and establishing a basic plot line. Even despite the fact I hadn’t the slightest clue where the story was headed, I didn’t expect it to take the scenic route on its way there. For that alone, the show was to be commended.

Except, I was wrong. The show ended up taking the scenic route after all. And it’s perhaps for that reason that I stopped watching for a brief period. I was shocked. Not disappointed, really. Just shocked and a little apprehensive about continuing. After all, I wasn’t looking forward to seeing what had been an enjoyable ride up to that point go to pot simply because the show tried doing too much. It’d be like watching a runner collapse from exhaustion with the finish line in sight, all because he pushed himself too hard when it really wasn’t necessary. Talk about painful.

Yet, thankfully, Sola somehow managed to pull through in the end. It was an awkward ending, however: a bit longer and more involved than necessary (so much for efficiency, eh?), full of plot holes, and not very filling, even despite it’s effective appeal to emotion. Great show. Absolutely forgettable.

Still, I’d recommend it to anyone who likes their bishoujo shows without all of the bishoujo show trappings. As a short and compact drama series, it was reasonably well done. And I wouldn’t complain at all if more shows of Sola’s type found their way on the air in the future. As much as I enjoy standard bishoujo game adaptations for their, “Hey, we’ll get to the story when we’re good and ready,” slice-of-life approach, short and sweet is fine, too. Perhaps School Days will deliver?

Oh, and I’d be remiss if I didn’t mention that Sola featured one of teh Mamiko’s best vocal performances of her career thus far. It’s funny… used to be, I didn’t care much for her. Now, I can’t get enough of her beautiful, forever to be typecast voice. If any of you see her at Otakon in a couple of weeks, give my regards.