Monthly Archive for July, 2007

Let’s Hop Step Jumping!

Several people have brought this to my attention, asking if it’s a reference to this site, so I figure I should provide a response…

The phrase “Hop Step Jump” is in fact part of the Japanese lexicon, popping up on occasion in Japanese pop culture, business culture, and, of course, otaku culture. The term was originally used to describe the Triple Jump athletic event, which has been a part of the Olympic Games since they first began.

Now, you’re probably asking, how did this term come to be popular in Japan? Honestly, I haven’t a clue. My guess is that the triple jump event grew to be popular at some point in the past and the catchy name caught on with people. You’ve probably seen enough anime episodes dealing with high school athletic festivals to know that they often feature events particular to Japan. Perhaps the triple jump was an important part of this line-up at some point.

Also, several Japanese nationals were Olympic medal winners in the event in the years immediately prior to the Pacific War. Of course, this was a period in which Japanese nationalism was running amok, so perhaps there was some sort of movement within Japan to train athletes to be competitive in traditionally Western events. Obviously, this would be a question for a historian, which I am not.

If you turn back to the present day, however, it’s worth noting that Shonen Jump magazine bestows an award upon promising manga artists each month, titled the “Hop Step Award”. Several well-known mangaka made it big only after winning this award, and given that the blackboard gags in Sayonara Zetsubou Sensei are the work of the original manga artist’s assistant, Maeda-kun, I’m guessing that might be the source of the reference in question. Or, he just thought, “Hey, wouldn’t it be funny if I replaced the ?? with a ??” Classy, eh?

Noto Kawaii yo Noto!

The feeling is mutual.

Seriously, hearing all of these wonderful stories about how open and attentive teh Mamiko was with her fans this past weekend at Otakon just makes me love her all the more. I’ve talked up her work in the past, of course, but I’ve never revealed my favorite of her roles. Without a doubt, it’s Toudou Shimako of Maria-sama ga Miteru. While Shimako may not be my favorite character from that particular franchise (rest easy, Yoshino), I definitely find her the most alluring, if you catch my drift. She’s sexy. Simple as that. And, in all honesty, I think Mamiko Noto’s voice work has a lot to do with that. I can’t think of anyone else who could have handled that particular role with such grace.

However, I should also mention that I’m especially fond of her work as Ana Coppola in Ichigo Mashimaro. I think her voice work is a big part of why Ana grew to be my favorite of the show’s characters over time. How she manages to sound both innocent and ostentatious in the same breath, I don’t know. It’s absolutely adorable.

A Retrospective

It’s hard to believe, but it’s been almost four years to the day since I first started anime blogging. Back then, you could count the members of the anime blog community on one hand. For that matter, a community didn’t even exist. It’s impressive how much the community has grown since then.

Of course, just as the community has grown in size, it has also evolved. In the beginning, episode by episode blogging was the standard model most every anime blogger adhered to. Now, editorial style blogging is growing in popularity. I’m thankful for having had experience with both models. In all honesty, I can’t say which model I prefer; episode by episode blogging requires a lot of time and effort, no doubt, but editorial style blogging requires a lot of inspiration. With proper motivation, hard work and guts is easy to come by, but when it comes to inspiration, the well does occasionally run dry. In retrospect, it’s funny how I thought I’d have an easier time of things when I first launched Hop Step Jump a year and a half ago. Chalk that one up as a lesson learned.

But, hey, I’m having fun nonetheless. Sure, I gripe about the responsibility of maintaining a popular blog from time to time, and I often wonder how much more time I’d have for my other hobbies (or watching anime, for that matter) if I just logged in to WordPress one day and deleted the whole kit and kaboodle. But, if I were serious, I would have done something by now. There are occasions on which I have trouble writing, of course, and there are times when I find it necessary to take a break, but I always seem to bounce back. And you guys put up with it. I can’t even begin to tell you how much I appreciate that. I’m not so in love with my own voice that I’d keep writing if I had no audience. “Blog for yourself,” be damned… I wouldn’t keep doing this if it weren’t for the fact my writing brightens your day as much as it does mine.

Seriously, thank you so much.

Navel-gazing aside, do I have anything to say that might help new anime bloggers find their place in this continually evolving community? Perhaps. The best advice I can offer, I suppose, is to take things as seriously as you wish to take them. If you want to overthink a plate of beans, go for it. If you want to post nothing but photos of Hirano Aya drinking milkshakes, go for it. If you want to do episode by episode blogging, go for it. A diverse community makes for a more interesting community.

At the same time, remember that, as part of a community, respect is something that must be earned. No one likes an asshole. Picking fights may seem like a quick and easy way to get attention, but when all is said and done, what are you left with? A bad reputation, that’s what. I know I don’t suffer fools gladly, and I suspect most anime fans feel the same way (we’re a bunch of know-it-all geeks, after all), but tolerance and friendliness go a long way in forging relationships with people. I know I’m much more likely to agree to disagree with someone when they treat me with kindness and respect. But I can’t expect to be treated with kindness and respect if I don’t extend others the very same courtesy.

And, no, I’m not perfect. When you inject your own voice into your writing, you’re guaranteed to piss someone off at some point. You’re going to put your foot in your mouth at some point. You’re going to eventually say something so horribly wrong that, upon looking back, you won’t understand why you even said it in the first place. Sometimes, you’re right, and sometimes, you’re wrong. That’s life. We learn by screwing up. Hence, there’s nothing shameful about saying, “Hey, I was wrong,” or, “Sorry I said something stupid.” You might learn something from it. I know I often do. After all, a lot of you guys know more about certain topics than I could ever dream to know.

Finally, do inject your own voice into your writing. You’re a human being, not an anime watching and critiquing machine.

So… anyone got photos of Hirano Aya drinking milkshakes?

Shingu & Stellvia: A Comparison

After a long wait, I recently finished Shingu: Secret of the Stellar Wars, otherwise known as the Sato Tatsuo show that isn’t Nadesico or Stellvia. My interest in the show began to grow when it was first released on DVD in North America, but I never bothered setting aside the money to buy said DVDs. This worked to my advantage, however, as the eventual thinpack release proved far less expensive than the individual discs. That, and it’s a perfect show for marathoning. The wait between discs would have been painful, I’m sure.

Anyway, I don’t want to spend much time praising the show other than to say that it’s extremely well done. I often steer clear of sci-fi anime for the simple reason that most sci-fi anime makes little sense upon close examination (I’m a bit too practical to put up with the “just because” storytelling that most sci-fi anime series rely on). However, Shingu is remarkable in that, despite having an especially complicated story, it never drops the ball in providing support for everything that takes place, all the way to the very end. Essentially, it spends its entire episode run paving the way for its “everything but the kitchen sink” ending. I suppose some of the twists and turns along the way could be considered trite, but I still appreciate the fact that the story was so exceptionally well thought out - and a lot of fun, to boot. And, of course, I got a lot of satisfaction out of the slice-of-life elements that supported the show along the way.

However, what strikes me as most interesting about the show upon finishing it is how similar it is to Sato’s later work, Stellvia. For one, both benefit from large ensemble casts (come to think of it, so does Nadesico). In fact, one reason I appreciate Stellvia as much as I do is because of its ensemble cast of diverse and likable characters. And I’d probably say the same for Shingu. Both shows proved adept at providing seemingly minor characters ample time in the spotlight. In fact, Shingu, in particular, has more potential “lead” characters than you can shake a stick at. Who steals the show? Is it Muryou? Hajime? Nayuta? Depends on who you’re a fan of, I suppose.

Furthermore, Shingu and Stellvia both share similar themes. For example, one generation trusting the fate of the future to the next. Children possessing a certain level of autonomy in managing their own affairs. Children rising to the cause when disaster strikes. It’s uncanny how similar both shows are in this regard. I’m almost tempted to accuse Sato of plagiarizing himself.

Also, both shows are willing to leave the unknown to the unknown. As much of Shingu’s story that is explained, there remains a fair amount that’s not. The same could be said for Stellvia. In both shows, the viewer is treated more as a direct observer - someone as involved in events as they unfold as the characters themselves - evidenced by, for example, Shingu’s repeated breaking of the fourth wall and Stellvia’s reluctance to explain any more about its world than what’s necessary to understand what’s going on. Some might find such a perspective to be limiting, but I actually find it engaging. Better to be involved in the story than detached from it.

Oh, and I’d be remiss if I didn’t point out that Shingu’s Muryou and Stellvia’s Kouta might as well be long lost brothers. If you had a contest to see who was more aloof than the other, I suspect it would end in a draw.

Of course, as similar as the two shows are, they do have some differences - or, one key difference, to be exact. Whereas Shingu is primarily focused on external events and their impact on the story, Stellvia is more internally focused, allowing character development to drive the story forward. It’s for this reason I think people most often label Stellvia as “angsty”. It’s a label that’s not all that fitting, in my opinion. But the distinction is still there, and while both shows share similarly positive outlooks, Stellvia places far more emphasis on gloomy melodrama.

Now, would I recommend that fans of Shingu take the time to watch Stellvia (or vice versa)? I don’t know, to be honest. Some might find the similarities between the two shows vexing, leading them to unnecessarily compare and contrast in an effort to determine if one is “better” than the other.

Personally, I enjoy both shows equally.

Little Bundle of Joy

Just a note, but if you’ve passed on watching Potemayo due to its appearance… well, you might be missing out. It’s been awhile since a show had me laughing so hard I could cry. Again and again. I think I’ve watched the above scene a hundred times by now.

It also has Kawasumi Ayako doing her schoolgirl voice. I really, really like it when Kawasumi Ayako does her schoolgirl voice. A lot.