
1. Simoun
The first time I watched the first episode of Simoun, I kept thinking, “Why are these girls kissing each other? Why are they fighting? What the hell is going on? Why in the world am I watching this?”
So, I stopped watching.
Somewhere along the line, however, I started hearing positive things about the show. Curiosity got the best of me. So, I gave it another try. One evening and eight episodes later, I was a Simoun fan. And now? I’m recognizing it as my favorite show of 2006.
Crazy, huh?
In all honesty, though, I don’t think my negative impression of the first episode was unwarranted. That first episode truly DOES suck. That, and Simoun is an absolute jumble of genres, themes, and hooks. It’s a mess. But it’s that same jumble of genres, themes, and hooks that makes Simoun such a fascinating show - a show that simultaneously embraces and defies stereotype. It rolls around in the mud, yet comes up sparkling.
And in more ways than one, I might add. Simoun is a gorgeous show, thanks to the art direction of Kobayashi Shichiro. It’s also a musical delight, thanks to the work of composer Sahashi Toshihiko. And the voice work! How often does one show bring so many talented seiyuu together in the same studio? Even the apparent Mamiko mismatch seemed like a brilliant move on the part of the casting director when all was said and done.
So, to those of you who convinced me to give Simoun a second try (you know who you are!), thanks for letting your inner fanboy show. And, of course, I’ll do the same. Hear that folks? Watch Simoun!
Oh, and have a happy and prosperous New Year while you’re at it. Hopefully, when we do this Year in Review thing again next year, there’ll be so many favorites to choose from that I’ll be forced to write twenty entries.
Now, time to go buy some champagne…






